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ROME ARMED TO THE TEETH

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June 30, 2014, 7:00 P.M.

The Italian Cultural Institute of Los Angeles, 1023 Hilgard Avenue, Los Angeles, CA 90024

The Italian Cultural Institute invites you and a guest to a special screening of

Rome Armed to the Teeth
(Roma a mano armata, 1976)

Directed by Umberto Lenzi
Written by Umberto Lenzi and Dardano Sacchetti
Produced by Mino Loy and Luciano Martino

Hosted by Alessandro Ago, Director of Programming, USC School of Cinematic Arts

7:00 P.M. on Monday, June 30th, 2014

1023 Hilgard Avenue, Los Angeles, CA 90024

FREE ADMISSION. OPEN TO THE PUBLIC.

Presented as part of a four-part series:
Italian Crime Thrillers from the '70s
Taking place from June 16th - July 7th, 2014

Food & Drinks to be served prior to the screening!

About Rome Armed to the Teeth (Roma a mano armata, 1976)

Rome in the mid-70's is a dangerous place filled with corruption, random violence, kidnappings, and terrorism by the Red Brigade. Captain Tanzi (Merli) of the police force is an unstoppable one-man crime-fighting army that gets the job done, but begins to feel frustrated by the fact that the criminals he arrests are back on the streets days later. Tanzi not only has to fight juvenile delinquents and hardened gangsters, but also his unsympathetic superiors who demand he stops his vigilante ways and do everything by the book. One of the great Italian crime films of the 1970's with plenty of violence Umberto Lenzi-style, car chases, and a fantastic soundtrack by Franco Micalizzi.
Rated R. Running time: 95 minutes. In Italian, with English subtitles.

About Italian Crime Thrillers from the '70s

The wild popularity of comedic duo Terence Hill and Bud Spencer from 1970's They Call Me Trinity transformed the traditionally violent Spaghetti Western genre into G-rated slapstick parodies. With the demise of the once gritty, hard-hitting, and often excessive, violence from Italian westerns, filmmakers found a new home for gunfights and double-crossing, this time in a more contemporary setting: the present day urban spheres of industrialized cities like Milan, Genoa, and Rome. In lieu of gunslingers and bounty-hunters, the protagonists became rogue cops, vigilante citizens taking action against the criminal underworld, gangsters and mafia dons, kidnappers, ex-convicts, purse-snatchers, and corrupt officials of all varieties, from bureaucrats to cops to judges. Italian society as reflected by the emerging 'poliziesco' crime thriller in the 1970s was as dangerous and sadistic as the most extreme Westerns, and the political allegory was transparent: citizens were not safe and many were untrustworthy, chaos ruled in place of law, and every man had to look out for themselves -- not much different from the core themes of the Spaghetti Western, but this time with ripped-from-the-headlines stories that moviegoers would recognize in modern-day Italy. The screening series will look back on several classics of the genre across four Monday nights in June & July.

Check-In & Parking

This screening is free of charge and open to the public. Doors will open at 6:30 P.M.
Coming from the 405 Freeway: Exit Wilshire (East) towards Westwood. Turn left on Westwood Boulevard. Turn right on Lindbrook Avenue (first traffic light from Wilshire). Lindbrook curves to the left, becoming Hilgard Avenue. The IIC is on the left side of the street.
Coming from Hollywood/Downtown Areas via Wilshire Boulevard: Proceed westward on Wilshire towards Westwood Village. Turn right onto Westwood Boulevard. At the first traffic light past Wilshire, turn right onto Lindbrook Avenue. Lindbrook curves to the left, becoming Hilgard Avenue. The IIC is on the left side of the street.
Coming from Hollywood/Downtown Areas via Sunset Boulevard: Proceed westward on Sunset towards Westwood Village. Turn left onto Hilgard Avenue. The IIC is on the right side, immediately after Weyburn Avenue.
Public parking structures are located throughout Westwood.

About Alessandro Ago

Alessandro Ago is the Director of Programming and Special Projects at the USC School of Cinematic Arts, where he programs film screenings, festivals, guest speakers and special events. In addition to programming popular courses taught by film critic Leonard Maltin and Pulitzer Prize-winning television critic Howard Rosenberg, Ago also curates Outside the Box [Office], a screening series dedicated to bringing new international, documentary and independent cinema to USC, often followed by conversations with the filmmakers, which Ago moderates. Ago has produced festivals celebrating the work of Dino De Laurentiis, John Wayne, Roger Corman, Costa Gavras, Maurice Jarre, Albert Broccoli and the James Bond franchise, as well as world cinema showcases focusing on Japan, Italy, Bollywood, South America and the Middle East. With a special interest in Italian cinema, Ago has hosted events with Roberto Saviano, Mario Monicelli, Lina Wertmueller, Gabriele Salvatores, Claudia Cardinale, Pupi Avati, Marco Bellocchio, Dario Argento and Franco Nero.
Ago has taught undergraduate film courses at USC, including Transnational Nightmares and Filmmaking, Italian Style and, most recently, Italian Genre Cinema and Society. He co-produced the 2006 & 2007 editions of Los Angeles - Italia: The Film, Fashion and Art Fest at Mann's Chinese 6-plex, as well as the 2006 Capri-Hollywood Film Festival in Capri, Italy. He is also one of the curators for the American Film Showcase, an international film diplomacy program funded by the U.S. Department of State, that has taken Ago to Cyprus, China, Egypt, Tajikistan, Vietnam, Bolivia, India, Mexico and many future destinations.
http://cinema.usc.edu/OutsideTheBoxOffice
http://americanfilmshowcase.usc.edu

About the Italian Cultural Institute (IIC)

The Italian Cultural Institute (IIC), located at 1023 Hilgard Avenue in Westwood, was established in 1984 by the Italian Ministry of Foreign Affairs to promote Italian culture in the USA. The IIC building houses an art gallery, a theater for screenings, lectures, conferences, and concerts, as well as a library that contains over 6000 volumes and is open to the public. The Institute organizes Italian language classes and encourages the translation of Italian authors into English. The IIC also organizes events in collaboration with numerous local institutions with the goal of presenting Italy in all its cultural complexity, in the fields of visual arts, architecture and design, music, cinema and theater, literature, science, fashion and gastronomy.
The jurisdiction of the Institute includes Southern California, Nevada, Arizona, New Mexico, Arkansas, Louisiana, Oklahoma and Texas. The building which houses the Italian Cultural Institute of Los Angeles was designed by Robert E. Alexander, partner of Richard Neutra, and is located in the heart of Westwood Village, close to the University of California in Los Angeles (UCLA) and to the Armand Hammer Museum, the well-known institution of avant-garde culture. The Italian Cultural Institute is open to the public Monday through Friday, from 9:00 a.m. to 1:00 p.m and from 2:00 pm to 5:00 pm. The Spazio Italia Gallery is also open on Saturdays from 10:00 a.m. to 2:00 p.m. The library is open to the public Monday through Friday, from 9:00 a.m. to 1:00 p.m. and from 3:00 a.m. to 5:00 p.m.

To learn more, visit their website: http://www.iiclosangeles.esteri.it

Contact Information

Name: Alessandro Ago
Email: aago@cinema.usc.edu

(Redirected from Roma a mano armata)

The Tough Ones
Directed by	Umberto Lenzi
Produced by	Mino Loy Luciano Martino^[1]
Screenplay by	Dardano Sacchetti^[2]
Story by	Umberto Lenzi^[2]
Starring	Aldo Barberito Stefano Patrizi
Music by	Franco Micalizzi^[2]
Cinematography	Federico Zanni^[2]
Edited by	Daniele Alabiso^[2]
Dania Film Medusa Distribuzione National Cinematografica^[1]
Distributed by	Medusa Distribuzione
February 25, 1976 (Italy)
95 minutes
Country	Italy
Language	Italian
Box office	₤1.617 billion

The Tough Ones (Italian: Roma a mano armata, lit. 'Rome at gunpoint') is a 1976 Italian poliziottesco film directed by Umberto Lenzi.

Cast[edit]

Maurizio Merli: Inspector Leonardo Tanzi
Arthur Kennedy: Superintendent Ruini
Tomas Milian: Vincenzo Moretto, 'The Hunchback'
Giampiero Albertini: Commissioner Francesco Caputo
Maria Rosaria Omaggio: Anna
Ivan Rassimov: Tony Parenzo
Biagio Pelligra: Savelli
Aldo Barberito: Detective Poliani
Stefano Patrizi: Stefano
Luciano Catenacci: Ferdinando Gerace
Luciano Pigozzi: Savelli's Henchman

Production[edit]

Director Umberto Lenzi was offered a script titled Roma ha un segreto (Rome Has a Secret), a spy story set in the popular Roman district Trastevere.^[3] Lenzi felt that the script made no sense and trashed the script.^[3] He then asked the producer to make a film about the violence that was surrounding Rome at the time. Within a week, Lenzi improvised a script.^[3]

Release[edit]

The Tough Ones was released on February 25, 1976 in Italy, where it was distributed by Medusa Distribuzione. The film grossed 1,617,361,000 Italian lira.^[1] It was followed by a sequel, The Cynic, the Rat and the Fist, the following year.

In the United States, the film was re-titled Brutal Justice and was released on the grindhouse circuit by Aquarius Releasing. For this version, Aquarius founder Terry Levene was responsible for replacing several establishing shots in the film with English-language counterparts filmed around New York City.^[4] A second version, also released on VHS, was released by Aquarius under the title Assault with a Deadly Weapon, which featured a new title sequence featuring a skull-faced police officer and credits for non-existent cast and crew members. Film historian Roberto Curti criticized the latter version for being 'badly-cut'.^[4]